my first letter’s in home, but missing in you
my second’s in four, but absent in two
my third is in dark, but lacking in light
my fourth is in recklessness, but is sadly lost in might
my fifth is in life, but vacant in the end
my sixth is in the cracked, but not found in the mend
my seventh’s in my arm, but astray in the bone
my eighth is in my neighbourhood, but never in my home
my ninth is in my memories, but unseen in the optics
always in my head, where, together, we finally exist
under my fingers, i pick at the thread that holds the leather together. it sticks to the skin under my thighs and i have to try not to cringe, because she will pick up on that. i can feel her eyes on me, infinitely human and perpetually hardwired on severing every flaw she can see on me, like a scalpel. scalpel eyes, she’s got. the clock ticks somewhere in the background. i count every snap of the second hand. i’m up to two thousand, seven hundred and sixty-one. needless to say, i haven’t been focusing on any word that has come out from her mouth, laden with sharp teeth that bite into the secretive depths of my skin.
the couch is grainy, and the stitching digs into the back of my legs, as i sit completely still because it might hurt to move. it smells clean, in here, like a supermarket plug in that is set to a specific time. i wrinkle my nose and go back to plucking at the string, hopefully i will unravel this leather couch and i will fall away out of this place with this scalpel woman and her sticky chair, her supermarket plug in and the teasing clock behind me.
She lives for music. Unlike the people in her life, it is something that had yet to leave her. She defines herself by her music. If the day comes that her music ceases to exist (she doesn’t ponder this too much, it’s rather painful), then so will she. In her dingy little apartment, the shadows in the corners of the rooms and the creaking inside her head are whisked away by guitars and lead vocals.
She’s got problems, she can freely admit. Problems that infest underneath her skin and congregate in her nerves and her bloodstream. Problems you cannot see with your naked eye, even if you stripped her down and pulled her bones apart on a stainless steel slab.
Somewhere in her bedroom, her CD is spinning, more faithful than any lover she has encountered, more beautiful than any sunrise she has witnessed when her eyes refuse to close. It is well-worn, like her favourite pair of Chucks, but still runs, powered by her desperate need for it to accompany her through her excruciating existence.
Somewhere in her bathroom, she is huddled in the corner. The paranoid chair, it’s been referred to by many doctors, so she can see everything and nothing can catch her off guard.
But the day has come.
The course of the day/night (she tends to lose track due to her chronic insomnia) sees the CD, her most prized possession, the one thing that has never let her down, broken on the bathroom floor.
On a long enough timeline, the villain steals the day.
The CD has long since stopped spinning.
And so has she.